A portrait of post-’68 labor organizing by a Leninist cell will spark an immediate recognition of themes and locations shared by fellow Swiss auteurs Jean-Luc Godard and Alain Tanner. Léon, a security guard who appears on television, meets Léa, an idealistic activist, as she distributes leaflets. They become involved, to a degree, and form a connection politically, also only to a degree, before diverging.
